Orange

Tiffen 55mm 21 Filter (Orange)

Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.

This filter renders blue tones, such as those in marine scenes, darker.

Tiffen 58mm 16 Filter (Orange)

Produces natural tonal corrections, and especially enhances landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.

Tiffen 72mm 21 Filter (Orange)

This filter renders blue tones, such as those in marine scenes, darker.

Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.

Tiffen 52mm 16 Filter (Orange)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.

Produces natural tonal corrections, and especially enhances landscapes, marine scenes, and aerial photography.

Tiffen 49mm 21 Filter (Orange)

This filter renders blue tones, such as those in marine scenes, darker.

Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.

Tiffen 52mm 21 Filter (Orange)

This filter renders blue tones, such as those in marine scenes, darker.

Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.

Tiffen 67mm 21 Filter (Orange)

Orange 21 absorbs blue and blue greens. Renders blue tones darker as in marine scenes.

This filter renders blue tones, such as those in marine scenes, darker.

Tiffen 77mm 16 Filter (Orange)

Produces natural tonal corrections, and especially enhances landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.

Tiffen 82mm 16 Filter (Orange)

Produces natural tonal corrections, and especially enhances landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.

Tiffen 55mm 16 Filter (Orange)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear." Deeper colors, further to the red end of the spectrum, such as Orange 16 filter will produce progressively deeper and artificially more dramatic renditions of blue sky.