Yellow

Tiffen 52mm 8 Filter (Yellow)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."A more "correct" cloud presence is obtained through the use of a yellow filter, such as a Yellow 8, which can absorb blue light, darkening the sky to more closely match what the eye would see. The Yellow 8 also acts as a general compensator for most subjects, giving a tonal rendition similar to that of the eye.

This medium yellow filter offers the most correct tonal range contrast to produce natural clouds against blue skies. Ideal for landscapes.

Tiffen 58mm 8 Filter (Yellow)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."A more "correct" cloud presence is obtained through the use of a yellow filter, such as a Yellow 8, which can absorb blue light, darkening the sky to more closely match what the eye would see. The Yellow 8 also acts as a general compensator for most subjects, giving a tonal rendition similar to that of the eye.

This medium yellow filter offers the most correct tonal range contrast to produce natural clouds against blue skies. Ideal for landscapes.

Tiffen 58mm 15 Filter (Yellow)

Use to enhance landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."The Yellow 15 enhances landscapes, marine scenes and aerial photography with more dramatic effects than Yellow 8.

Tiffen 55mm 8 Filter (Yellow)

This medium yellow filter offers the most correct tonal range contrast to produce natural clouds against blue skies. Ideal for landscapes.

Tiffen 55mm Yellow 8 Natural Tonal Correcting Filter - This medium yellow filter offers the most correct tonal range contrast to produce natural clouds against blue skies. Although originally intended for use with black and white film, these filters can also be used as a creative tool in color photography.

Tiffen 52mm 15 Filter (Yellow)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."The Yellow 15 enhances landscapes, marine scenes and aerial photography with more dramatic effects than Yellow 8.

Use to enhance landscapes, marine scenes, and aerial photography.

Tiffen 58mm 12 Filter (Yellow)

Recommended as a basic filter for use with Kodak Aero Ektachrome Infrared film. Though originally intended for use with black-and-white film, this filter can be used as a creative tool in color photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear"."Minus blue" cuts haze in aerial work and reduces blue of full moon in astrophotography. The Yellow 12 filter is recommended as a basic filter for use with Kodak Aero Ektacrome Infrared film.

Tiffen 67mm 12 Filter (Yellow)

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear"."Minus blue" cuts haze in aerial work and reduces blue of full moon in astrophotography. The Yellow 12 filter is recommended as a basic filter for use with Kodak Aero Ektacrome Infrared film.

Tiffen 72mm 15 Filter (Yellow)

Use to enhance landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."The Yellow 15 enhances landscapes, marine scenes and aerial photography with more dramatic effects than Yellow 8.

Tiffen 77mm 15 Filter (Yellow)

Use to enhance landscapes, marine scenes, and aerial photography.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."The Yellow 15 enhances landscapes, marine scenes and aerial photography with more dramatic effects than Yellow 8.

Tiffen 49mm 8 Filter (Yellow)

This medium-yellow filter offers the most correct tonal range contrast to produce natural clouds against blue skies. Ideal for landscapes.

Black and white imaging records only tonal differences between colored objects, which appear as black, white, or different shades of gray. Proper rendition depends on your own desires, and, for film, the differences between film sensitivity to colors and that of the eye. The latter is due to the fact that most panchromatic emulsions used are more sensitive to blue, violet and ultraviolet than to other colors. Therefore, blue appears as lighter on film than it does to the eye. This can make a blue-sky light enough to appear a similar shade of light gray as the clouds that are in it, making the clouds "disappear."A more "correct" cloud presence is obtained through the use of a yellow filter, such as a Yellow 8, which can absorb blue light, darkening the sky to more closely match what the eye would see. The Yellow 8 also acts as a general compensator for most subjects, giving a tonal rendition similar to that of the eye.