Graduated

B+W Graduated 502 neutral density - Filter - graduated - 77 mm

Graduated 502 neutral density filter has a reduction of 2 f-stops due to its 25% transmission factor.

Tiffen 77mm Color Graduated Neutral Density 0.6 Filter

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drops exposure.

The perfect solution to transform a pallid sunrise or sunset into something spectacular. A neutral density 0.6-to-clear is often best for balancing sky to foreground.

Tiffen 72mm Color Graduated Neutral Density 0.6 Filter

The perfect solution to transform a pallid sunrise or sunset into something spectacular. A neutral density 0.6-to-clear is often best for balancing sky to foreground.

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drops exposure.

Tiffen 67mm Color Graduated Neutral Density 0.6 Filter

The perfect solution to transform a pallid sunrise or sunset into something spectacular. A neutral density 0.6-to-clear is often best for balancing sky to foreground.

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drops exposure.

B + W 58mm #502 Color Graduated Filter - Dark Grey Neutral Density (ND)

Graduated 502 neutral density filter has a reduction of 2 f-stops due to its 25% transmission factor.

Tiffen 52mm Color Graduated Neutral Density 0.6 Filter

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drops exposure.

The perfect solution to transform a pallid sunrise or sunset into something spectacular. A neutral density 0.6-to-clear is often best for balancing sky to foreground.

Tiffen 62mm Color Graduated Neutral Density 0.6 Filter

The perfect solution to transform a pallid sunrise or sunset into something spectacular. A neutral density 0.6-to-clear is often best for balancing sky to foreground.

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.Color-Grad Neutral Density filters are part clear, part neutral density, with a smoothly graded transition between. A Color-Grad ND.6-to-clear is often best for balancing sky to foreground. Neutral gray appearance drops exposure.

Hoya 58mm Color Graduated Filter - Tobacco

Filters are similar to half-color, except that color density gradually decreases near the center of the filter allowing emphasis of foregrounds or backgrounds. Mounted in a rotating frame, 7 colors are available: Pink, Yellow, Emerald, Tobacco, Blue, Mauve, Gray. Their color gradually fades out so the boundary between the colored and transparent sections will not become apparent even with the lens aperture stopped down.

Tiffen 82mm Color Graduated ND .6 (4x) Filter

Often, you want to balance light intensity between two areas within a scene. This is important outdoors to allow more sky detail while properly exposing the foreground. Exposing for the foreground will produce a washed-out, over-exposed sky, exposing for the sky will leave the foreground dark, underexposed.

Tiffen 72mm Graduated Sunrise Filter

Transform an average sunrise or sunset into something spectacular or convert a dull, washed-out sky to a breathtaking blue. No other filter has done as much to improve landscape photography as the graduated filter. Add color selectively while leaving the rest of scene unaffected.Half color, half clear with a graduated density transition for smooth blending into the scene, Tiffen Color-Grad filter are available in a rainbow array of colors and Neutral Densities. Use in combination, with one affecting the upper half of the image, the other affecting the lower half.

Transform a pallid sunrise or sunset into something spectacular.